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Producers, how do handle storage for all of your Trackouts?
Do you upload all of your trackouts onto a cloud drive like Google Drive, or Mediafire or Mega or one of those sites? Or do you prefer uploading them directly into Airbit or Beatstars instead? And if you upload them to a drive or a Beatshop type site, do you then delete the WAV trackout files off of your computer since they're uploaded? Or do you still keep them on your computer?
I've debated on uploading them to a cloud drive type site, and then deleting them off of my computer (I'd still have the FL files so I could re-export them if needed), but not sure how you all feel about uploading them all to a cloud drive, if you have any apprehension at all or feel comfortable doing so, if you password protect each individual zip file of trackouts and so on?
Thank you all in advance. Hoping for some feedback so I can ease this mental dilemma I'm having on how to deal with my large catalog when it comes to trackouts and storage.
A final edit of the Hobbit
The long short of it:-submitted by akram2791 to fanedits
Like many others I wanted to love The Hobbit as much as I loved The Lord of the Rings, but try as I might it never hit the same and left a gaping hole in me. I loved the world, the characters and the story but the movies had too many issues that prevented me from being happy.
Fast forward a bit and I come across Dustin Lee's "JRR Tolkien's The Hobbit" edit and I was filled with hope. I watch it and enjoy it but still something is missing. I love a lot about the Hobbit and much like Lotr if there is quality material I say the more the merrier. Some of my favorite scenes were left out of the edit, while others were severely trimmed for the sake of fitting everything into one four hour movie. Furthermore while the edit had a lot of great innovations it also had some awkward cuts or transitions. I started off by inserting a few scenes into Dustin's edit and fixing some transitions until eventually I decided to create my own edit from scratch with 5.1 surround sound bluray quality. My goal had become to create what would eventually be a bluray box that would sit proudly next to my Lotr bluray set on my shelf. I bought the movies (theatrical and extended) and I bought the soundtracks and started the work.
It was a journey that started in December 2015 and ended May 2017, with a few revisits and improvements up until 2019 that were driven by moments of inspiration and breakthrough ideas upon re-watching. It got to the point though where I had saturated myself from the movies and wanted to take a long break from them. I could not watch the movies without noticing flaws and noting improvement points. Cue November 4th 2020 my wife on our anniversary surprises me by renting out a theater and playing my version of the hobbit on the big screen, it was one of the happiest days of my life. It was a feeling of accomplishment and content, my movie was done, and my Hobbit cinema experience fulfilled. That gaping hole I had mentioned previously was gone and it was then that I reflected and thought to myself I ought to share this with the community so that they too can enjoy an adventure into Middle-Earth.
The edit itself:-
Quality: 1080 bluray quality video although the torrent has been condensed to 4 mbps with a variable bit rate mode.
Audio:- Dolby Digital 5.1 surround sound 640 kbps.
It held up great in a cinema theater so that should tell you something about the audio and visual quality. My edit is clean without any awkward cuts or musical miscues due to cutting. Nothing feels abrupt or misplaced. When watching it you will not see any traces of this being a fan edit.
This is not a play by play breakdown of my edits as they are beyond count instead here are the broad strokes of the edit. I thought it also better to preserve the "spoilers" in the edit and let viewers enjoy the movies as they unfold on their screens.
Two movie structure with a bridge movie coming after to link The Hobbit to Lord of the Rings.
Runtime for part one is 3 hours. Runtime for part 2 is just under 2 hours and 40 minutes (not counting credits). The bridge movie is 1 hour and 15 minutes (again not including credits).
The movies can be watched back to back of course or stand alone separately. I managed the pacing such that each part is a movie onto itself with a beginning middle and end.
The movies focus on Bilbo and Thorin's company.
The bridge movie tracks Gandalf and his behind the scenes adventures.
The love triangle is completely removed, and Tauriel is reworked as Legolas's chief warrior and she plays a key role in his new arc. On this, Thranduil is also given a kind of similar arc to Legolas's.
Outlandish physics and unlikely escapes from death are all removed except for Bombur in the barrel and lake scene, which given the removal of all the other silliness feels like it has a place. So that definitely includes super Legolas and the luck or the stretching of the dwarves's durability in action scenes.
Fili and Kili don't separate from the company.
True to the book the dwarves don't enter Erebor and confront Smaug.
Non-essential plot elements and padding are removed while I made the effort to retain as much of the good of these movies to maintain the feel of the world. Lotr are not short movies and the goal was not to make a short movie, the goal was to make a Middle-Earth movie.
Over the top goofy elements or setup that creates tensionless action was removed as they undermine the character moments and events that occur in the movie. That is not the same as saying comedy has been removed cause it hasn't but sometimes characters like Alfred were just so over the top that it bordered on cringe. Needless moments that made other characters also seem downright silly or comments that stand out have been edited out. Some of these are direct fixes from the original movies. One example of these direct fixes was the removal of Bilbo seeing Smaug's injury in Erebor. The injury was mentioned by Bard previously and no one knows for sure it exists, I decided to keep it that way so that when the dragon attacks there is more tension in not knowing of his vulnerability for sure. There are countless other examples of certain pieces of dialogue or scenes that were removed, edited or repurposed in service of a better internal logic and flow to the movies.
My first acknowledgment is Dustin Lee and he is credited in all my movies. His edit got me into this editing business and while my version is very very different than what he had done, the general base was the same. Secondly, the nameless editor for giving me the skeleton for what would be my transition idea from An Unexpected Journey into Desolation of Smaug. Thirdly, another fan editor called Spence, I got the idea about how to give Thorin his sword back from Legolas from him. Fourthly, a redditor (can't find him this was 2016) who had the skeleton of a good death for kili that I adapted and improved on. Fifthly, Lindsay Ellis for her documentary on the on and off screen troubles of the Hobbit and the issues she shed light on. Her documentary helped guide my edit to try and keep the feeling of innocence and beauty Lotr inspired, while the off-screen issues she pointed out were unsettling to discover, it also motivated me to try and create something special to commemorate everyone's efforts who created the movies and transform the movies into something we can all enjoy and love. Finally the countless reviews I watched but most specifically "Just Write" from YouTube on their 6 part piece on why the Hobbit sucks.
More personally my best friend Marwan for the countless screenings we had of the movies together and the feedback and encouragement he gave me. Last but definitely not least my girlfriend turned fiancé turned wife who has seen this edit through every step of the way and given me encouragement and criticism when I needed it.
Hope you enjoy the movies everyone :)
Please download only if you own the movies!
or direct download
Note 1: If there is a demand for it I can share the bluray ISO file for both discs and the disc and box art I produced.
Note 2: I actually included in disc 2 Andy Gilleand's (a youtube) "Shadow of Mordor" movie for which he was nice enough to provide the 5.1 surround sound audio for as well.
My goal had become to create what would eventually be a bluray box that would sit proudly next to my Lotr bluray set on my shelf.
My bluray box set design.